Lanchester Gallery Projects are proud to present Unspeaking Engagements

3rd
Feb. × ’10

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Lanchester Gallery Projects announces an international exhibition of visual art in collaboration with Chulalongkorn University in Bangkok. Including artists from Thailand, Ireland, Singapore, Taiwan and Britain – though many have transnational affiliations – Unspeaking Engagements was shown at the Art Center of Chulalongkorn University during 2009.

The artists in Unspeaking Engagements explore processes of physical and/or durational engagement as a means of constituting the artwork. Each address their own or the viewers’ awareness of their body in relation to time and space.  At issue are questions of how such awareness can be cultivated, felt, represented and ultimately proliferated through the work of art. Unspeaking Engagements showcases artworks as sites of shifting experiences, in differentiation from artworks that require detached observation and propose fixed or final interpretations.

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It’s a revelation, says Michael Glover

26th
Jan. × ’10

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Miller shows us more than just photographs and paintings in this show. This is one of the reasons why it is so appealing. He keeps on nudging us, encouraging us to think more widely, to think about how what Muybridge and others did had an impact on art, photography, books, film, the theatre. Didn’t Busby Berkeley’s gorgeous choreography, all that brilliant sequencing of movement, owe a debt to what Muybridge discovered? And didn’t Berkeley’s choreography also remind us of the way in which Cubism broke up the human figure? Yes, and yes again. Undoubtedly.

To read the full review please click here.

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Gallery 13 @ Birmingham Museum & Art Gallery

20th
Jan. × ’10

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Gallery 13 seen here installed as part of the Time|Motion exhibition.

Gallery 13 is now back on show in gallery 20 at the Birmingham Museum and Art Gallery. 7 years after it was originally commissioned, shot, exhibited and subsequently acquired for the Museums collection.

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Constantly in motion – Wall Street Journal review On the Move

20th
Jan. × ’10

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Jonathan Shaw’s Triple Jump, Harold Edgerton’s Densmore Shute Bends the Shaft & Portrait of Jonathan Miller

“On the Move: Visualising Action,” at the Estorick Collection of Modern Italian Art in north London until April 18, for which Sir Jonathan has assembled a wide range of material examining the perception and depiction of movement.

The show includes not only Muybridge’s fragile lantern slides, but the devices which first reproduced visual movement in the 19th century, such as the phenakistoscope, zoetrope and praxinoscope. But it also extends to animated studies of highly technical research into how we perceive movement, Futurist paintings, modern panoramic digital photography and comic strips.”

Further reviews can be seen at;

On the Move is an engaging, thought provoking show… – Evening Standard

…an enthralling show… - The Guardian/Observer

SMIRNOFF Hot Pick! – Time Out London

(the show) raises all kinds of questions, not only about how we perceive movement in still images, but also what art is – The Independent

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Depicting motion motionlessly

18th
Jan. × ’10

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On the Move: Visualising Action at the Estorick Collection, London. 13th January – 18th April 2010.

17th January, The Sunday Independent, The Critics, Visual Art/Film by Charles Darwent.

“And other rooms bring Miller’s story up to date by focussing on the modern interest in depicting motion motionlessly, from Jonathan Shaw’s shot of a triple-jumper mid-jump to the sequentially flailing fists of Billy Whizz.

This is fascinating stuff, although more needs to be made of its central cognitive drama. As Miller points out, the perception psychologist, Sigmund Exner, found that the eye actually registers the gaps between frames in the apparently seamless story of, say, Steamboat Willie. It is the brain that fills in the narrative, preferring its stories complete. This knowledge raises all kinds of questions about how and what we see, but also about what art is and what it is for.”

Click here to read the full story on the Independent’s website.

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The intention of action…

13th
Jan. × ’10

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What a great opening night, I was introduced to the man himself Dr. Jonathan Miller and all the team at the Estorick. It was an unbelievable turnout (you could barely see the show!) with a really illuminating introduction by Jonathan.

It was truly amazing to see my work set amongst those who have influenced and expanded on our understanding and perceptions of photography, time and motion.

You can also listen to his interview with Mark Lawson on Radio 4’s Front Row from 8th January (the interview starts about 1/3 of the way through the podcast).

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On the Move Preview

11th
Jan. × ’10

Estorick_PosterIf you are in North London tomorrow night then please come along to the Preview of Jonathan Miller’s ‘On the Move, Visualising Action’ exhibition at the Estorick Collection. This features some of my earlier sports work. Tuesday 12th January 2010, 6 until 8.30pm.

Estorick Collection, 39a Canonbury Square, London, N1 2AN

(Image: Harold Edgerton, Foil Salute (detail), 1938 courtesy Palm Press, Inc.)

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Unspeaking Engagements Catalogue

11th
Jan. × ’10

JS_Unspeak_CoverJS_Unspeak_DSpreadI have just received my copy of the catalogue from the Unspeaking Engagements show in Bangkok. The show is due to come over to the UK later this month early February, I will keep you posted.

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Talk at Estorick Collection

22nd
Dec. × ’09

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On the Move – Visualising Action
Estorick Collection of Modern Italian Art, London
13 January – 18 April 2010

Jonathan has been invited to give his personal response to the On the Move exhibition at Estorick Collection. Jonathan’s talk has been scheduled for Saturday 3rd April. On the Move has been curated by Dr Jonathan Miller, this exhibition will explore the representation and perception of movement in arts and science.

It will take the Estorick’s own Futurist masterpieces as its starting point but its scope will also include photography, especially the work of Eadweard Muybridge and Etienne-Jules Marey, and recent scientific research into the analysis of movement.

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Crash publication

10th
Nov. × ’09

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Crash has been beautifully designed by James Langdon and is now available and being distributed by Cornerhouse Publications at a bargain price of £10!
The 44 page hard back publication comprises of a single image which flows across each spread and uses japanese binding techniques to allow the image to physically continue across the outside edge of the pages. The effect that is achieved is similar to ‘concertina’ folding however, the key difference is that the viewer is NOT able to open out the folds in order to see the entirety of the image.
It has been published by New Art Gallery Walsall, supported by Arts Council England and Coventry University.

Featured on Wayne Ford’s (Group Design Director of Haymarket Business Media, London & Hong Kong) Posterous.

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